It’s interesting looking back on the various stages of artwork I’ve created over the years. I did a post on this recently in my general blog:
which was a bit of an overview at moving from mandalas, to Soul Song art, to shamanic type art to the digital art which is drawing my attention at present.
But I want here to talk about how I started working with what I call Soul Song art.
I mentioned in an earlier post that I had a Tarot reading with a lady who predicted that I’d attend the mandala workshop where I realised I could actually create art. Well, I ran into her again when Yvonne and I went to a psychic fair on Mt Tamborine. I wasn’t booked to do any stalls but went to have a day out after being confined to home with my broken leg and ankle. Yvonne was holding a stall with her Auralight bottles and readings.
Lo and behold, I saw the same lady again doing Tarot readings so I wandered over to get another reading. I told her of the previous reading she’d done for me (if you’re a Tarot reader you simply don’t remember the details of each reading) and she looked at me and said: “Can you see colours around me?”
I looked at her in alarm as it had never crossed my mind to think about actual colours around people. So I closed my eyes, concentrated on what I felt around her and hesitantly I said: “I think you should be wearing more turquoise and lemon to balance your aura”. She beamed and said what I’d said made sense. I also told her I saw people as symbols with particular colours which I was doodling desultorily at the fair to while away the time while it ran its course.
Then I had a general reading with her again, the details of which I can’t remember now. But a short while later she came up to with a big grin on her face and said: “You’re on!” I looked at her quite blankly and then she said: “The spirit guide artist can’t come, her car broke down. So I’ve told the the organisers you can do your soul song art and they want you to step in to replace the artist”.
Well, I can tell you, I nearly fainted with fright. It was one thing to dabble in this sort of art with people I knew, but quite another to do it at a fair with strangers queuing up and paying. Yvonne cheered me on and so did the Tarot reader so I reluctantly shuffled to an empty table, got out my pencils and paper, and shook like a leaf when the first person approached me.
Amazingly, everything flowed – to my enormous relief. I found I could produce images and symbols quite easily while I nattered with the people waiting for their piece of artwork. But, as I mentioned earlier, the universe takes you by the hand when you’re ready, so one guy sat down and, while I was drawing, said: “Do you pick up any messages while you’re doing your work?” I stared at him and my mind went blank. “Ummm, I don’t really know,” I stammered weakly. He persisted. So I shut my eyes and concentrated. “Well, I’m getting the message that you should be meditating more, that you’ve been slack about it in recent times,” I muttered. “Spot on,” he said, much to my relief. And then said: “I’m the director of this facility and, yes, you’re right, I should be doing more meditation.” Now it’s a good job he didn’t mention his position before as I’d have have been too intimidated to say one word. He continued: “You’ve given me a timely reminder.” I stared at the guy and my jaw dropped, I was gobsmacked!
I continued doing Soul Song art on black cardboard with art pencils, much as I’d done with mandalas, and then dgot attracted to working with acrylics, pastels, stick-on decorations and glitter – never looked back after I hit the glitter trail! The first Soul Song painting on the right is one I really, really liked when I created it, and it remains one of my favourites. I swapped it with a guy who created ritual feather tools, as I didn’t have the money to buy one of his creations.
I really enjoyed working on it and then, right at the end, when I was trying to work out how to finish it, I remembered an agate slice I’d dropped and which had cracked in half. The two pieces slotted in neatly at the base of the fire, another piece of synchronicity because – without the agate pieces – I simply wouldn’t have been able to finish off the painting in an authentic way. And then, to my disappointment, I got no feedback from the recipient at all, which was a real let-down.
I have no idea who I did these paintings for, I didn’t keep records. I enjoyed creating these images but, again, packed it in after a while because I felt like I was back on the treadmill again. I also felt under pressure because you’re painting for an individual and you never know whether they’ll like the art you’ve created for them or not.
I’ve decided I’d rather be inspired by creations which come up from my intuition and imagination, which fire up my creativity in a spontaneous way rather than having to be somewhat constrained by painting for other people, if that makes sense.
Anyway, by then I’d got involved in a psychic circle which I found very enjoyable. I found to my surprise that I had a real talent for psychometry. We would each put something personal in a bowl and then pick out an item, hold it for a while and do a reading for the person who owned that item.
I found I could tune in, pick up energies and then channel information which was intended to offer advice to the item’s owner. I was pretty much 100% accurate with this and it opened me up to working directly with people in giving them information and messages that came through via some disembodied voice which used to speak in my head. Afterwards I started doing Spirit Guide portraits with readings from the guides to the individuals for whom I was doing the portraits.
It’s interesting when I look back over my life because at university I studied German and French languages, politics and history. But part of the languages course involved simultaneous and consecutive interpreting which I rather believe now got my brain used to listening and reading out comments at the same time.
I had, by the way, been quite cynical and doubting about the existence of spirit guides as I’m quite logical and the idea of spirit guides seemed a step too far for me. I had been told I had a spirit guide around me but didn’t really feel much. So one day I muttered to myself: “Well, if spirit guides exist, show me!”
Be careful what you wish for because you might get it!
A week or so later I was doing a Tarot reading for a lady in Beaudesert, a large town near Boonah where I was living, when a spirit guide burst out its energy like a firework exploding right beside her right shoulder. I actually reeled backwards because the energy hit me so forcefully. So yes, I got my confirmation of the existence of spirit guides but not quite in the form I’d expected. I guess I thought I might see a disembodied figure floating around or whatever, but I could feel the energy of the guide that turned up in the reading, and I could hear the message he brought the lady which, by the way, made sense to her.
However, I started going a bit bananas and New Agey with the spirit guide drawings. When I was using simple pencil and paper, spirit guides came through clearly and my portraits weren’t bad considering I’d never drawn faces and actual people before. But then I decided to get into colour and all soft and spiritual and sooky and I went right off the rails, I’m sorry to say. I carried on this path for a short while but an inner voice kept nagging me that what I was drawing was what I thought was spiritual but wasn’t, it was a reflection of seeing all sorts of wishy-washy, cutesy-wootsy images which were doing the rounds instead of listening to my own sense of what I needed to be doing and NOT doing!
Eventually I came to my senses and packed in the spirit guide drawings, I’d done my dash with them. And really I didn’t do much more in the way of art until we returned to Australia, after spending two years – from 2002-4 – in the United Kingdom.